Alpha Through the Looking Glass 2013

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Alpha - Through the Looking Glass (2013)
Contemporary Classical | Dacapo 8.226579 | 2013 | 56:40 | EAC (FLAC, cue, log) | Full Scans | Various File Hosts | 231 MB
Bolette Roed (recorder), Peter Navarro-Alonso (saxophone) & David Hildebrandt (percussion)

"
Denmark's four leading composers - Poul Ruders (b. 1949), Per Norgard (b. 1932), Bent Sorensen (b. 1958) and Hans Abrahamsen (b. 1952) - have allowed the experimental trio Alpha to take their music behind the looking glass and let their works re-emerge in the trio's very own sound world. Played and recorded entirely by heart, Alpha's close encounter with the musical essences of seven different works seems to reveal the form and richness of each composer's imagination in a new magical reflection.
"

"To reduce a group of works from a variety of different scorings to fit just three specific instrumentalists is a most unusual process: especially in contemporary music, where normally the composer's original scoring is assumed to be sacrosanct. In these cases, however, the composers have all acquiesced in their treatment, and no wonder! The resulting music reveals the form and richness of each composer's imagination in a way that is both startling and joyful. It is like comparing a winter woodland to its appearance six months earlier. Gone is the profusion of colour and sensuous abundance, but instead underlying shapes emerge that were concealed before, and a more muted range of colours displays itself, each one intimately compelling in its singularity. Eventually a new sense of richness is created as the mind and the eye - and the ear - adjust themselves to the world about them. What seems at first glance to be only grey and brown begins to show elements of red, and yellow, and blue, and even green.

What further distinguishes this recording is the fact that the performers have had a hand in creating the music, as well as re-creating it. This aspect of music-making plays all too little role in contemporary 慳rt' music, apart from those instances where musicians are asked to improvise - and thus to use a skill that may virtually have atrophied from want of exercise. But improvisation is only one aspect of creative performance, and Alpha's close encounter with the musical essences of these works seems to have given the trio a precious sense of ownership of the music, even while the works mysteriously and naturally retain their identity with the composers who made them. This idea of music as something 憃pen' - in this case, specific notes and yet open to different instrumentation and therefore different modes of articulation (which in turn open up a cornucopia of possibilities) - is something rare and valuable."
www.dacapo-records.dk

"The works on this CD were originally composed for piano solo [1- 2]; recorder, cello and harpsichord [3]; 3 flutes [4]; chamber orchestra [5]; accordion solo [6]; flute and bongo drums [7]; cimbalom [8]."
www.dacapo-records.dk

Scandinavian music never ceases to excite, at least this listener. In both today's shares we have small ensembles giving inspiring performances of contemporary as well as traditional (as on the other CD by Gaman Trio) pieces. Bolette Roed on recorder is part of both ensembles - Gaman and Alpha. Alpha reimagines works by four living Danish composers blending in minimalistic and improvisational Jazzy influences. An unusual instrument combinaton works surprisingly well. The sonic quality of the recording is exemplary.

Track List:

1. Star-Prelude (arr. B. Roed, P. Navarro-Alonso and D. Hildebrandt for recorder, saxophone and percussion
2. Love-Fugue (arr. B. Roed, P. Navarro-Alonso and D. Hildebrandt for recorder, saxophone and percussion)
3. Heyday's Night (arr. B. Roed, P. Navarro-Alonso and D. Hildebrandt for recorder, saxophone and percussion)
4. Flowersongs (arr. B. Roed, P. Navarro-Alonso and D. Hildebrandt for recorder, saxophone and percussion)
5. Schnee, Canon 2a: Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholisch (arr. B. Roed, P. Navarro-Alonso and D. Hildebrandt)
6. Looking on Darkness (arr. P. Navarro-Alonso for recorder, saxophone and percussion)
7. Carnival (arr. B. Roed, P. Navarro-Alonso and D. Hildebrandt for recorder, saxophone and percussion)
8. Isternia (arr. P. Navarro-Alonso for recorder, saxophone and percussion)

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