REVisionFX RE-Match 1.3.3

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REVisionFX RE-Match 1.3.3 for After Effects and Premiere Pro (x64) | 19 MB

REVisionFX RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots. RE:Match is a set of plugins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.

For general multicam shoots RE:Match matches, as best it can, one sequence's overall color appearance to match that of another.

For stereo pairs, RE:Match can further refine the overall color match by taking into account that the two views are captured at the same time with a relatively small distance between the views. In addition, RE:Match is also able to propagate color changes into areas that are present in only one view. RE:Match can also make other details, such as reflections, specular highlights, and lens flares be consistent between the two views.

Features:
- Ability to globally color correct one sequence to match another.
- Ability to globally color correct a whole sequence based on a particular point in time, or can be performed separately for each pair of frames in both sequences.
- Ability to perform automatic global (whole image) color correction based on a smaller window of pixels for each of the image sequences.
- Works well with over bright values and very wide dynamic ranges.
- Matching for stereo pairs takes advantage of internal per-pixel registration using optical flow methods.
- Stereo pair matching takes into account occlusions.
- Stereo pair matching takes into account that the two images may not have corresponding details at some of the edges of the frame.
- Stereo matching has controls for making details, such as reflections, lens flares and specular highlights match between the two views.
- Methods provided to remove or attenuate on-lens artifacts (such as water drops on a lens).
- Because RE:Match uses internal pixel registration, stereo matching does not require image alignment prior to use.
- Visualization modes are provided to visualize and guide what RE:Match is doing internally.
- Not limited to any particular resolution of images.
- Works on all bit depths, including HDR images.

What's new in version 1.3.3 :
- RE: Match Color: Fixes an issue with alpha channel with Limit% slider not at 0 % when the Window Match checkbox is set in After Effects
- RE: Match Color: There was a bug in the way RE: Match Color set up parameters, and could cause After Effects and Premiere Pro to not see the proper settings of RE: Match. The bug could could also cause AME to exit. If you load a project that was made with a previous version of RE: Match, be sure to check Match Frame and Adjustment mode menus as the settings might be incorrect.
- RE: Match Color: "Press To Store Analysis" was not working properly in Premiere if the plugin tried to get a frame before a set in-point (in this case Premiere Pro returns black frames if we try to reference a frame on the same Video Track). To avoid bad results, now the plugin does nothing (does not store analysis) when it sees a full black frame. Bug has been reported to Premiere

compatibility:
- Windows Vista, 7, 8 and up
- Adobe After Effects CS5 and up.
- Adobe Premiere Pro CS5 and up.

Operating System : Windows Vista / Windows 7/Windows 8.




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