FilmConvert Pro for After Effects and Premiere v2.12 Mac OS X

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FilmConvert Pro for After Effects and Premiere v2.12 (Mac OS X) | 87.3 MB

Give Digital camera footage the color and grain of your favorite film stocks. We love digital cameras. And we love the look of film. FilmConvert models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks - including negative densities, printer spectral responses and grain response curves.

FilmConvert Pro for After Effects and Premiere v2.12 (Mac OS X)

What is FilmConvert?
Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn't look as good straight out of the camera.

Use FilmConvert to:

Process an edited timeline to DPX for grading
Process an edited timeline to QuickTime and reconnect
Process all daily footage to QuickTime before editorial

System Requirements
FilmConvert stand-alone requires Mac OSX 10.6 or above.

FilmConvert for Final Cut Pro requires Final Cut Pro X or 7 or Motion 4 or 5.
Note: Final Cut Pro 6 and Motion 3 should also work, but are not supported at this time.

FilmConvert for After Effects requires After Effects CS5.5 and up or Premiere Pro CS5.5 and up. Both OSX and Windows are supported.

FilmConvert for Photoshop is currently only available on OSX (the windows version is in the works though).
It requires Photoshop version 12.0 and up, which translates to CS5 and up. 64 bit only on OSX.

Home:_http://www.filmconvert.com/default.aspx

FilmConvert Pro for After Effects and Premiere v2.12 (Mac OS X)

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Tags: Premiere, Effects, FilmConvert
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